Krishnapuram, Alappuzha

Krishnapuram is a village in Alappuzha district in the Indian state of Kerala.DemographicsIndia census, Krishnapuram had a population of 25927 with 12305 males and 13622 females.Krishnapuram PalaceThe Krishnapuram Palace is a tourist attraction, just 400 m from NH-47 located between Kayamkulam town and Oachira. The palace is maintained by the Archaeological Department and contains exhibits that belonged to the Palace and its former occupant, the Travancore Maharaja Marthanda Varma. It is also famous for a large pond within the palace. It is said that an underground escape route runs from the bottom of the pond as a possible escape route from enemies. The Gajendra Moksham, mural painting in the palace is the largest in Kerala. The two-edged Kayamkulam Vaal (sword) is also on display here. The palace also houses, in its courtyard, one of the four statues of Buddha in Alappuzha District. Manivelikadavu 9.5 km from Kayamkulam Pipe Junction is also close by.Krishnapuram Palace is one of the finest and rarest examples of a typical Keralite style of architecture - complete with gabled roofs, narrow corridors and dormer windows. Residence of the rulers of Kayamkulam kingdom (Oodanadu Raja Vamsham), the age of the palace is unknown. Renovated some time in the 18th century, the palace is today a protected monument under the Archaeology department. Recently it has been again renovated according to the scientific techniques prescribed for the protection of heritage buildings. Today the palace is an archaeological museum, and the most fascinating exhibit here is the 49 sq.m - Gajendra Moksham - the largest single band of mural painting so far discovered in Kerala. Gajendra Moksham meaning the salvation (Moksha) of the elephant king (Gajendra), the theme of the mural is mythological and depicts an elephant saluting Lord Vishnu in devotion while the other gods, goddesses and saints look on. It is said that Lord Vishnu was the family deity of the Kayamkulam rajas. This mural was placed at the pond-side entrance to the palace to enable the rajas to worship the deity after their ablutions.